CHI TIẾT NGHIÊN CỨU …
Tiêu đề
Sir Orfeo as a Critical/Liberal/Art
Tác giả
Strouse A.W.
Năm xuất bản
2015
Source title
Postmedieval
Số trích dẫn
1
DOI
10.1057/pmed.2015.34
Liên kết
Tóm tắt
Medieval thinkers understood the myth of Orpheus as an allegory about the quest for knowledge. The Middle English poem Sir Orfeo, which differs markedly from the classical story, is here read as realizing a critical/liberal/art. © 2015 Macmillan Publishers Ltd.
Từ khóa
Tài liệu tham khảo
The Confessions, (1997); Bliss A.J., Sir Orfeo, (1954); Boethius A.M.S., The Consolation of Philosophy, (1973); Dinshaw C., How Soon Is Now?, Medieval Texts, Amateur Readers, and the Queerness of Time, (2012); Friedman J.B., Orpheus in the Middle Ages, (1970); Gros Louis K.R.R., The Significance of Sir Orfeo's Self-Exile, Review of English Studies, 18, 71, pp. 245-252, (1967); Koestenbaum W., The Milk of Inquiry: Poems, (1999); Nicholson R.H., Sir Orfeo: 'A Kynges Noote, The Review of English Studies, 36, 142, pp. 161-179, (1985); Riddy F., The Uses of the Past in 'Sir Orfeo, The Yearbook of English Studies, 6, pp. 5-15, (1976); Stock B., The Middle Ages as Subject and Object: Romantic Attitudes and Academic Medievalism, New Literary History, 5, 3, pp. 527-547, (1974); Strouse A.W., Getting Medieval on Graduate Education: Queering Academic Professionalization, Pedagogy, 15, 1, pp. 119-138, (2015)
Nơi xuất bản
Palgrave Macmillan Ltd.
Hình thức xuất bản
Article
Open Access
Nguồn
Scopus