CHI TIẾT NGHIÊN CỨU …

Tiêu đề

Decolonize this art history: Imagining a decolonial art history programme at Kalamazoo College

Tác giả

Butler A.M.; Hahn C.

Năm xuất bản

2021

Source title

London Review of Education

Số trích dẫn

0

DOI

10.14324/LRE.19.1.22

Liên kết

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85111120345&doi=10.14324%2fLRE.19.1.22&partnerID=40&md5=7ea718f011882f80c54fd83dc28d4b3d

Tóm tắt

This article presents a case study of a decolonized curriculum development in the Art History programme at the small liberal arts institution Kalamazoo College (Michigan, USA). It discusses the curriculum plan, methods for learning, assessment and potential applications for this approach beyond the case study. Paying attention to questions about the origins of art history, and its long-established methods and canon within the Western academy, this article proposes that any approach to decolonizing an art history curriculum must take into account the frameworks and methods of the knowledge systems it employs, must continually assess, reflect and hold accountable those who participate in its implementation and maintenance, and, importantly, must recognize that decolonization work is a necessarily messy and ongoing process. © 2021 Butler and Hahn.

Từ khóa

Art history; Curriculum; Decolonization; Introductory survey

Tài liệu tham khảo

Ahmed S., On Being Included: Racism and diversity in institutional life, (2012); Ahmed S., Use is a life question’ [blog], (2020); Asher N., Decolonizing curriculum, Curriculum Studies Handbook: The next moment, pp. 393-402, (2009); Berger R., Here’s what’s wrong with Bloom’s taxonomy: A deeper learning perspective’ [blog], Education Week, (2018); Resource packet presented at the Eradicating Racism and Claiming/Celebrating Equity (ERRACE) workshop at Kalamazoo College, (2015); Dean C., The trouble with (the term) art, Art Journal, 65, 2, pp. 24-32, (2006); Deleuze G., Guattari F., A Thousand Plateaus, (1987); Gayed A., Angus S., Visual pedagogies: Decolonizing and decentering the history of photography, Studies in Art Education, 59, 3, pp. 228-242, (2018); Grant C., Price D., Decolonizing art history, Art History, 43, 1, pp. 8-66, (2020); Hare T., Use the Studio Habits as a guide for reflective self-assessment, (2017); Hickey A., Tuazon A., Decolonial Strategies for the Art History Classroom, (2019); hooks b., Black Looks: Race and representation, (2015); Kaufmann T., Art and knowledge: Towards a decolonial perspective, Trans. A. Dereig, Transversal Texts 3, European Institute for Progressive Cultural Policies, (2011); Lugones M., Heterosexualism in the colonial/modern gender system, Hypatia, 30, 1, pp. 186-209, (2007); Maldonado-Torres N., Thinking through the decolonial turn: Post-continental interventions in theory, philosophy, and critique – an introduction, Transmodernity: Journal of peripheral cultural production of the Luso-Hispanic world, 1, 2, pp. 1-15, (2011); Mbembe A., Decolonizing the university: New directions, Arts & Humanities in Higher Education, 15, 2, pp. 29-45, (2016); Patel A.K., Productive Failure: Writing queer transnational South Asian art histories, (2017); Riley Mukavetz A., Decolonial theory and methodology, Composition Studies, 46, 1, pp. 124-140, (2018); Shandomo H.M., The role of critical reflection in teacher education, School–University Partnerships, 4, 1, pp. 101-113, (2010); Sheikh S., Objects of study or commodification of knowledge? Remarks on artistic research, Art and Research: A journal of ideas, contexts, and methods, 2, 2, pp. 1-8, (2009); Simpson L., Anticolonial strategies for the recovery and maintenance of Indigenous knowledge, American Indian Quarterly, 28, 3, pp. 373-384, (2004); Tuck E., Yang K., Decolonization is not a metaphor, Decolonization: Indigeneity, education and society, 1, 1, pp. 1-40, (2012); Tuhiwai Smith L., Decolonizing Methodologies: Research and Indigenous peoples, (2012)

Nơi xuất bản

UCL IOE Press

Hình thức xuất bản

Review

Open Access

All Open Access; Gold Open Access; Green Open Access

Nguồn

Scopus