Intimate Paradoxes of Victorian Lingerie: The Cases of George Sand and Amelia Bloomer
Munteanu D.G.
2020
Fashion: Exploring Critical Issues
0
10.1163/9781848881488_021
Drawing on expertise from cultural anthropology and the liberal arts, the aim of this chapter is to examine some of the interwoven psychological, anthropological, sexual, and socially semiotic representations of 19th century feminine undergarments, and in this process show how these phenomenological and cultural constructs shaped - or reflected - Victorian civilisation in terms of gender identities, erotic taboos and widely-dispersed social attitudes. Central to this chapter will be two critical case-studies, one on American dress reformer Amelia Jenks Bloomer, demonised by her contemporaries for donning, underneath a skirt, a form of loose Turkish trousers, and the other on the French Romantic poet George Sand, who plainly dressed in masculine attire. This chapter will argue that although both Sand and Bloomer dramatically transgressed the Victorian norms of femininity, arousing (especially Bloomer) ridicule and moral trepidation, neither of them was in any way riotously unfeminine or radically revolutionary. © Inter-Disciplinary Press 2012.
Amelia Bloomer; Femininity; George Sand; Lingerie; Shame; Victorianism
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Brill
Book chapter
Scopus