Designing a creative dance program for non-dance majors
Nakano Y.; Shimizu D.; Okada T.
2017
Art and Design Education: Perspectives, Challenges and Opportunities
2
What is the process of dance creation? How can we encourage undergraduates (non-dance majors) to acquire creativity through such an artistic, creative process? This study tries to answer these questions. In Japanese undergraduate liberal arts education, there is a need for expressive and creative activities involving human emotions and the human body (Okada, 2014). For this study, in the summer semester of 2015, we designed a creative dance course in collaboration with a professional choreographer to improve undergraduates' awareness of themselves, others and their surroundings, and to promote communication skills that are important for both dance creation and everyday life. We analyzed its educational effects using four types of data: students' response papers, evaluations of students' dance performances, questionnaires administered at the beginning and end of the course, and follow-up interviews conducted three to five months after the course. The results showed that the students enjoyed creative dance and became aware of their own bodies and feelings and those of other students. The students were able to appreciate and consider academic and everyday themes and communication from different perspectives. In conclusion, our creative dance course has the potential to foster students' awareness and communication skills and to improve their daily lives and academic pursuits. © 2017 by Nova Science Publishers, Inc. All rights reserved.
Artistic creation; Dance; Education in artistic expression; Physical expression; Undergraduate education
Agata T., Okada T., Development and evaluation of exhibition design that changes visitors' image and attitude toward artistic creation, Japanese Art Education, 30, pp. 1-14, (2009); Agata T., Okada T., Facilitating creative activities: A new type of undergraduate liberal arts course, Japanese Journal of Educational Psychology, 57, 4, pp. 503-517, (2009); Agata T., Okada T., Developing a new type of art exhibition and workshop to offer visitors opportunities to experience the artistic creation process, Japanese Art Education, 31, pp. 13-27, (2010); Agata T., Okada T., The importance of cultivating people's creative literacy, Cognitive Studies: Bulletin of the Japanese Cognitive Science Society, 20, 1, pp. 27-45, (2013); Cohen J., Statistical power analysis for the behavioral sciences, (1988); Collins A., Toward a design science of education, New directions in educational technology, pp. 15-22, (1992); Gibson J.J., The ecological approach to visual perception, (1979); Griffin P., McGaw B., Care E., Assessment and Teaching of 21st Century Skills, (2012); Getzels J.W., Csikszentmihalyi M., The creative vision: A longitudinal study of problem finding in art, (1976); Hanna J.L., A nonverbal language for imagining and learning: Dance education in a K-12 curriculum, Educational Researcher, 37, 8, pp. 491-506, (2008); H'Doubler M.N., Dance: A Creative Art Experience, (1940); Hennessey B.A., Amabile T.M., Consensual assessment, Encyclopedia of creativity, 1, pp. 347-359, (1999); Ishibashi K., Okada T., Facilitating creative drawing by copying art works by others, Cognitive Studies: Bulletin of the Japanese Cognitive Science Society, 17, 1, pp. 196-223, (2010); The Kaoruco's workshop: Changing your brain, mind and body immediately and expressively, (2012); Kawakita J., Idea creation: For creativity development, (1967); Nakano Y., Okada T., Process of Improvisational Contemporary Dance, Proceedings of the 34th Annual Meeting of the Cognitive Science Society, pp. 2073-2078, (2012); Nakano Y., Okada T., The educational effects of improvisational dance lessons: Focusing on the internal changes of students, Choreologia, 35, pp. 53-64, (2012); Nakano Y., Okada T., The process of creating choreography in Contemporary dance, Choreologia, 38, pp. 43-55, (2015); Nakano Y., Shimizu D., Okada T., Classroom practice and its educational effects in an improvisational dance course for undergraduates: Focusing on problem finding and communication skills, (2016); Okada T., On various aspects of artistic expression: An introduction to the special issue on 'Cognitive Science of Arts, Cognitive Studies: Bulletin of the Japanese Cognitive Science Society, 20, 1, pp. 10-18, (2013); Okada T., Yokochi S., Takagi K., A model of the creative process in contemporary art, Proceedings of the 30th Annual Meeting of the Japanese Cognitive Science Society, pp. 64-73, (2013); Okada T., The importance of art workshop courses for non-art major undergraduates, Exploring expression: Creativity shown in drawings by undergraduates at the University of Tokyo, pp. 1-10, (2014); Schon D.A., The reflective practitioner: How professionals think in action, (1983); Shimizu D., Okada T., Creative Process of Improvised Street Dance, Proceedings of 34th Annual Meeting of the Cognitive Science Society, pp. 2321-2326, (2012); Shimizu D., Okada T., Improvised creative process of Street dance, Cognitive Studies: Bulletin of the Japanese Cognitive Science Society, 20, 4, pp. 421-438, (2013); Shrout P.E., Fleiss J.L., Intraclass correlations: Uses in assessing rater reliability, Psychological Bulleting, 86, pp. 420-428, (1979); Vygotsky L., (1965)
Nova Science Publishers, Inc.
Book chapter
Scopus